The starting point is the action of a fictive street-performer – a so-called ‘turn-around-man’ – whose task is to make a complete rotation around his own axis in a couple of hours in a very slow, imperceptible motion. At the end of the Millennium he is tempted by a new challenge: his rotation should last through the whole year of 2000. In his apparent motionlessness he experiences the seven days of the Genesis, subdued by his personal spiritual constitution. After his performance ends, his friends, who were watching him attentively, will turn what they perceived from this motionless performance into a theatrical shape.
Sponsors: Fővárosi Önkormányzat Színházi Alap, Németh István, Ficzek Zoltán