The play is the story of Sardaffass, the deformed son of Selene and Pan, concieved under mysterious circumstances. Lost in the middle of his existence outside the Text, his bodily otherness
and in the stories around his birth, he discovers stranger and stranger healing abilities for himself; however, these, instead of helping him to make others accept his otherness, drive him away and make him an outcast in his own surroundings.

In the end, he feels obsessed by one thing only: how, by what Deed he could become part of the
Text. In the poet’s rewriting, the mystic storyline gives birth to a pseudo-myth with strange atmosphere, fantastic locations, real great passions, secrets and humour.

The performance tries to step beyond the usual parallel use of dance and prose theatre towards combining the two into a whole.