The company was founded by Alle Valle and Jams Clabecq in 2007 to explore themes related to identity through the traditional Japanese bunraku puppet theatre. Both studied in New York, being actively involved in the study of identity and gender, using theatre to deconstruct concepts, attitudes and stereotypes related to these themes. Alle Valle worked in Spain as an actress. After receiving a grant, she went to New York, where she met Blind Summit Theatre Company. Then she went to London to study bunraku with them, performing and constructing puppets. Jams Clabecq has been actively involved with different organizations to change the current fixed scenario that oppresses identities based on gender, sex or race. Their new performance ‘Don’t Kiss Me, I am in Training’ premiered this June, and has since been presented at two festivals.
The production was inspired by the life and writings of Claude Cahun (1894-1954), photographer, poet, literary critic, novelist, surrealist, symbolist, translator, revolutionary activist, whose art is being discovered again nowadays. ‘By showing the ethereal nature of gender, she highlighted the interchangeability of gendered identities, thus reducing their importance in society to mere roles, rather than dominant truths. In some pictures Cahun appears androgynous, while in others she accentuates feminine characteristics. As for sexuality, Cahun did not adhere to popular notions of sexual classification: “My opinion about homosexuality and homosexuals is exactly the same as my opinion about heterosexuality and heterosexuals. All depends on individuals and circumstances. I claim a general freedom of behaviour.”’ (The Power Issue: Claude Cahun, www.queerty.com, Nov 15, 2006)
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