In the depth of our actions there we are, the free ego, the wonderful freedom.

’There are four microphones, a kitchen stool, a lamp, a cradle-like half barrel and four people on stage. Two women and two men. Nothing else. More precisely, there is no need for anything else if one manages to express the inexpressible. A vast space for a lonely person sitting, standing or kneeling, being interrogated from three points of the stage or of the auditorium. The questions are raining down, they are becoming more and more uncomfortable and intolerably revealing. The definite and elaborate message falls apart, the speaker, who is now already being interrogated, loses control, and the interrogator unavoidably becomes superior. … The purity of the stage is paired with the barrenness of the lack of music, the deeds and the words harshly, and sometimes mercilessly, undress human frailty, and open up the Dante-esque circles, rings and depths of soul and spirit which capture those who want to break free by spinning a strong and sticky web. To look in the mirror and to see the disgusting patches, to be shaken by the seriousness of what has been said, to obsessively search for a way out of loneliness and despair, these are all the elements, formed into a dramatic message, of an ontological approach which open the door to let important, but continuously dismissed ideas in. There is no point in anything without truth and honesty, be it painful or ridiculous’
(Arnold Török: A play with nightmares, Magyar Szó, 13th June 2007.)

cast: Béres Márta, Erdély Andrea, Mészáros Árpád, Mikes Imre-Elek
costume: mindenki abban alszik, amiben akar
technical assistant: Úri Attila
sound: Gál Attila
directed by: Urbán András

Above 18 years of age.

www.urbanandras.com
www.kosztolanyi.org